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The documentary showcases his studio life, his interactions with peers, and his commentary on the evolution of his style.

Both daughters have spent years in therapy and have suffered from eating disorders. Gwynne, while less confrontational than Emma, acknowledged that did "real damage" and that she has been involved with a women's therapy group that deals with sexual-abuse issues. Emma's anorexia began at 16; Gwynne struggled with bulimia and alcoholism.

The camera is fixed on a single potted plant over an extended period, using time-lapse and real-time observation. But Rivers, never a purist, interrupts the “pure” botanical study with: --- Documentary Growing 1981 Larry Rivers LINK Download

New York University Returns Films of Larry Rivers's Children 19 Jul 2010 —

In 1976, Rivers began filming his daughters Emma and Gwynne. Gwynne was 11 at the time; Emma was slightly younger. Over the next six years, Rivers conducted filming sessions twice a year, during which he would ask his daughters to remove their shirts, expose their breasts, and discuss their feelings about their changing bodies. The footage included scenes of the girls fully naked, in the shower, and even slipping between the black satin sheets of Rivers' bed. The documentary showcases his studio life, his interactions

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"Growing" was not a traditional documentary in the sense of a biography or a social expose. It was a visual journal of adolescence, or as critics would later describe it, a violation. Emma's anorexia began at 16; Gwynne struggled with

The film is only 58 minutes long, shot on 16mm film in grainy, naturalistic light. Unlike slick art documentaries (e.g., Rivers and Tides about Andy Goldsworthy), Growing is deliberately amateurish—rejecting a linear narrative in favor of a “diary” approach.

Retrospectives of Rivers' work occasionally feature his video art. Institutions like MoMA, the Whitney Museum, or the Centre Pompidou periodically screen these preserved video pieces alongside his physical paintings.