: The film is titled "Bestiality" or "Bestialita," directed by Peter Skerl. The use of both English and another language (possibly Italian, given the "-ita" suffix) might suggest that the film was intended for an international audience or produced in a country with a language other than English.
The film features a notable cast of European exploitation regulars:
The 1976 Italian exploitation thriller (alternatively released in English-speaking countries as Dog Lay Afternoon ) stands as one of the most provocative, elusive, and legally embattled artifacts of the Eurosleaze era. Directed by Peter Skerl —with co-direction or editing contributions from Virgilio Mattei—and written by the legendary Italian horror icon Luigi Montefiori (better known as George Eastman ), the film pushes the boundaries of 1970s transgressive cinema. Originally conceived as the first installment of a thematic trilogy that was never completed due to financial collapse, Bestialità has transitioned from a banned piece of counter-culture cinema into a highly sought-after holy grail for physical media collectors on VHS and DVD. 🎬 Narrative and Themes Bestiality -Bestialita- - Peter Skerl 1976 -Vhs...
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: Dated 1976, this places the film in a period often associated with a more liberal approach to content in media, including themes that might be considered taboo or controversial. : The film is titled "Bestiality" or "Bestialita,"
: Leonora Fani is frequently praised for her performance as the feral, traumatized Jeanine, bringing a level of talent to the role that many critics feel exceeds the film's trashy premise.
On a sun-drenched island in the Mediterranean, a young girl named Jeanine inadvertently witnesses her mother engaging in a sexual act with the family's Doberman pinscher. The traumatic scene is discovered by the father, who, in a fit of rage, chains the dog to the house, sets it ablaze, and then flees with his daughter. Directed by Peter Skerl —with co-direction or editing
Bestialità remains the only completed feature film directed by Peter Skerl , a highly mysterious figure in Italian genre cinema who later immigrated to the United States. Due to local Italian tax laws and distribution requirements of the era, the film's theatrical credits often attribute the direction to Virgilio Mattei —who was actually the film’s editor.