Write a of major directors from this era, like Kanti Shah.

Today, "Adam Ki Pyaas" has attained a legendary status among fans of B-grade cinema. The movie's enduring popularity can be attributed to its kitschy charm, memorable performances, and the era-specific context in which it was made.

One of the most consistent characteristics of these films is a heavy reliance on sex and sleaze. Director Ashim Ahluwalia, who spent a decade researching this industry, notes, “They don’t follow any rules”. This lack of regulation allows filmmakers to express their wildest fantasies without the constraints of mainstream censorship. Enthusiast Aseem Chandaver, who has a collection of 400 such titles, observes that directors treat these films as a blank canvas for their most extreme ideas. However, the genre is not limited to erotica. It spans a wide range of themes, including horror, daku (dacoit) dramas, jungle fantasies, Tarzan stories, and naag (snake) films.

: If you know the name of any cast members, the director, or the music composer, searching with those specific names attached can often pull up obscure filmography lists or vintage film forum discussions.

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As noted by modern directors, one of the biggest criticisms of the B-grade horror era was that it became a "sleaze fest," where the horror was merely an excuse for explicit content. The "thirst" in the title might have been a clever marketing tactic—a way to promise audiences not chills, but thrills of a different kind. The tagline could easily have been something like, "His thirst will consume your soul... and your body!"

It is possible you are looking for one of several Indian "B-grade" (low-budget) movies with "Pyaas" (thirst) in the title, which often fall into the romantic thriller or adult drama genres.

A wealthy individual, an unfaithful spouse, and a deceptive outsider get entangled in a web of murder and financial fraud.

According to Chandaver, the modern evolution of B‑grade films began in 1987 with a film called ‘Raat Ke Andhere Main’. The 1990s and early 2000s saw a boom in this sector, with films becoming more audacious in their content. A documentary on the subject highlights that these films were rarely financial failures; they consistently turned a profit because they knew exactly what their audience wanted—cheap thrills.